Certain musicals have become part of our cultural DNA, and Annie is undoubtedly one. Since its Broadway debut in April 1977, the feelgood family favourite – based on the comic strip Little Orphan Annie – has entertained audiences around the world with a timeless story and a score packed with songs which have become musical theatre classics.
Thomas Meehan’s musical follows Annie, an optimistic orphan who dreams of finding the parents who abandoned her. Life at Miss Hannigan’s grim New York orphanage is far from idyllic, but Annie’s unwavering positivity eventually leads her into the home of billionaire Oliver Warbucks, changing the lives of everyone she meets along the way. Naturally, there are villains to outwit, misunderstandings to overcome and, ultimately, a heartwarming message that reminds us family isn’t always defined by blood.
No production of Annie succeeds without a formidable Miss Hannigan. Over the years, the role has attracted performers from the legendary Dorothy Loudon and Sheila Hancock to Craig Revel Horwood; this latest touring production sees Claire Sweeney throw herself into the role with relish. Delivering a deliciously spiteful, sharp-tongued Hannigan, she balances the character’s bitterness with enough vulnerability to avoid becoming a caricature, making her one of the production’s highlights.
The young orphan ensemble, who carry a huge amount of responsibility in a show like this, display confidence, energy and infectious enthusiasm. During numbers like the ever-popular It’s The Hard Knock Life, their chemistry feels genuine, creating the sense of friendship and resilience that lies at the heart of Annie. From the optimistic anthem Tomorrow to Maybe, Easy Street and You’re Never Fully Dressed Without A Smile, every number is warmly received, with many audience members quietly singing along.
The production itself remains faithful to the classic musical, with colourful sets, slick choreography and period costumes transporting the audience to Depression-era New York. Director Nikolai Foster keeps the pace brisk, ensuring there is never a dull moment, while the live orchestra gives Charles Strouse’s score the richness it deserves.
At nearly five decades old, Annie’s themes of hope, resilience and optimism endure. Special mention should also go to Amber and Dizzy – the dogs who, between them, play Annie’s dog Sandy with consummate canine professionalism.
Annie, Wales Millennium Centre, Cardiff Bay, Tue 7 July
On until Sat 18 July. Tickets: £22-£84. Info: here
words ANTONIA LEVAY
