Home Art Craft and Leisure newsDanes Iceage are still taut and spiky but their sound lacks danger

Danes Iceage are still taut and spiky but their sound lacks danger

by David Jones

ICEAGE

For Love Of Grace & The Hereafter (Mexican Summer)

Early on, Iceage were a shock to the system: nihilistic teenage hardcore punks who cloaked themselves in a frisson of dangerousness through selling branded knives at their merch desk and – whether knowingly or not – flirting with fascist aesthetics. But then came a questionable reinvention as sophisticates and the grander Tindersticks pretensions of 2014’s Plowing Into The Field Of Love and its two successors, which saw the Danes metaphorically squeezed into ill-fitting suits as though for a court appearance.

Anyone hoping that a reunion with Nis Bysted, co-producer of Iceage’s first two albums, might signal a return to their thrillingly feral intensity is destined to be largely disappointed. For Love Of Grace & The Hereafter undoubtedly has its moments – not least the Idlewild-melodic Tender Blades, the taut-and-spiky-as-barbed-wire Holy Water, and rock‘n’roll ripper The Weak, complete with atonal recorder solo. But they still sound somewhat defanged and declawed; originally out on their own, Iceage are now part of the postpunk pack.

words BEN WOOLHEAD

For Love of Grace & the Hereafter by Iceage

Source link

You may also like

Leave a Comment